Papers On Music, Film, Television, Theater & Photography Page 11 of 491
How Pip Confuses Appearance For Reality in David Lean’s Film Adaptation of 'Great Expectations' [ send me this paper ] A 5 page paper which considers how appearances are confused with reality by the main character of Pip in David Lean’s 1946 adaptation of Charles Dickens’ classic novel, Great Expectations. Bibliography lists 1 source. Filename: TGgr8ex.rtf
Film vs. Prose: Cheever’s “The Swimmer” [ send me this paper ] A five page paper comparing John Cheever’s short story with the 1968 Frank Perry film made from it. The paper concludes that the film suffers from an inability to transfer an interior work into a visual medium. No additional sources. Filename: KBcheeve.wps
Blackface [ send me this paper ] A 6 page paper that discusses the many different aspects of the use of blackface in the theater and other entertainment fields, and how the banning has influenced the entertainment field today and the general representation of different races. A discussion involving specific productions and characters is included, as well as illustrations regarding black minstrel groups. Essentially it can be stated that with the end of slavery and the political determination to head in a new direction, blackface was eventually banned. Bibliography lists 6 sources. Filename: RAblackf.wps
Motown [ send me this paper ] In 8 pages, the author discusses how the Motown label had an impact on the music evolution in terms of technology, new perspective of the Black American music, and the music market, in general. Motown is a cultural icon. It is the essence of the Black musical experience. Bibliography lists 5 sources. Filename: PCmotwn.doc
Beethoven and Schubert in Vienna [ send me this paper ] A 5 page research paper that compares the lives and accomplishments of composers Ludwig van Beethoven and Franz Schubert. Bibliography lists six sources. Filename: 99beesch.rtf
Beethoven's Eighth Symphony [ send me this paper ] A 3 page analysis of Beethoven's Eighth Symphony in which the writer describes the artist's work as being more reminiscent of the Romantic Period than of the Classic. This argument is made in light of Beethoven's emphasis on being contrite, random, climactic uniquely emotional, and more. No Bibliography. Filename: Beeteigh.wps
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