Papers On Art & Architecture Page 15 of 272
The Influence Of Francisco de Goya [ send me this paper ] A 15 page paper analyzing the effect the late eighteenth-century painter Francisco de Goya had on the Impressionists of the late nineteenth century and the Expressionists of the early twentieth. The writer concludes that the Impressionists primarily gained from Goya a fresh way of looking at light; the Expressionists gained from his darker period a more direct way of depicting the human soul. Bibliography lists 11 sources. Filename: Goya2.wps
The Life & Works of F.J. DeGoya [ send me this paper ] 6 page discussion of the life and works of Francisco Jose DeGoya, the 18th century Spanish painter. Focuses upon 'The Shootings of May Third' and 'Pradrera de San Isidro.' Bibliography lists 8 sources. Filename: Goya.wps
Cezanne's 'The Bather' # 2 [ send me this paper ] A 5 page essay on the rhythms and cadences that speak to the soul in Cezanne's 'The Bather.' The writer compares the dissonances in Cezanne's work to musical counterbalance, positing that the artist (Cezanne) creates a Rachmaninoff concerto from Debussy's 'Chanson de Billets.' Filename: Cezmuse.doc
Leonardo DaVinci [ send me this paper ] A 10 page overview of Leonardo DaVinci's life & work. Bibliography lists 7 sources. End notes. Filename: Davinci.wps
Leonardo DaVinci's 'Mona Lisa' [ send me this paper ] A 4 page research paper on DaVinci's infamous painting 'Mona Lisa' in which the writer presents their own opinion of the work and then complements it with in-depth historical analysis and factual information about the artist, the model, and even the work's original name. From an artistic perspective, the materials and methods used to paint the Mona Lisa are described as being genuinely representative of DaVinci's era. Filename: Monalisa.wps
Leonardo DaVinci's 'Mona Lisa' and 'Vitruvian Man' [ send me this paper ] A 4 page paper that discusses the artistic principles DaVinci developed and applied to his paintings generally, in comparison with other artists of the period, and the application of these techniques to each of these two paintings. The paper discusses these in light of the Renaissance ideas of science and humanity and posits that perhaps the 'imperfections' in his paintings exhibit a larger experiment in these two areas of thought. Bibliography lists 7 sources. Filename: Davinci2.doc
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